PAGE 187: Foundations of the Artist
PAGE 274: Theatre and Social Justice
PAGE 397: Intrntnl Tchng Artst Trnng
THR 121: Introduction to Theater
THR 131: Devlmt of the Physical Theatre
THR 134: Thtr His: Clscl to NeoClscl
THR 135: Thtr His: Romanticism to Prsnt
THR 136: World Theater
THR 151: Acting I
THR 251: Acting II
Some institutions wait for the future to arrive. Pace has spent 120 years going after itÌÇÐÄvlog¶ÌÊÓƵ”preparing lawyers, nurses, technologists, and artists not for the world that was, but for the one taking shape now. This isnÌÇÐÄvlog¶ÌÊÓƵ™t ambition or luck. ItÌÇÐÄvlog¶ÌÊÓƵ™s 120 years of deliberate evolution.
The future of the arts at Pace is under construction. Inside One Pace Plaza East, Sands College of Performing Arts students and faculty are preparing to create, collaborate, and perform in spaces built for bold ideas and bright lights.
Beginning this fall, ÌÇÐÄvlog¶ÌÊÓƵÌÇÐÄvlog¶ÌÊÓƵ™s Sands College of Performing Arts and , the Tony-honored company known for pioneering bilingual productions in American Sign Language (ASL) and English, are launching a groundbreaking artist-in-residence program focused on bridging performance and accessibility in musical theater training.